Piss title object object

It depicts a small plastic crucifix submerged in a small glass tank of the artist's urine. The piece was a winner of the Southeastern Center for Contemporary Art 's "Awards in the Visual Arts" competition, [1] which was sponsored in part by the National Endowment for the Arts , a United States Government agency that offers support and funding for artistic projects. The work generated a large amount of controversy based on assertions that it was blasphemous. Serrano himself said of the controversy: "I had no idea Piss Christ would get the attention it did, since I meant neither blasphemy nor offense by it. I've been a Catholic all my life, so I am a follower of Christ.
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Attack on 'blasphemous' art work fires debate on role of religion in France

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Andres Serrano's Piss Christ destroyed by Christian protesters | World news | The Guardian

And I thought, how ridiculous that this particular … pisspot gets carried around the world at—it costs about thirty or forty thousand dollars to insure it every time it travels. So I thought, somebody should piss in that thing, to sort of bring it back to where it belonged. So I decided it had to be me. In the video he then goes on to describe in great detail exactly how he managed to pee on the urinal. The date of this series of events was October 23,

The Piss Christ

In April , the artwork was irreparably damaged by vandals at the Collection Lambert art museum. Katie Engelhart considers whether it was right for the museum to have exhibited the work. In , New York-based artist Andres Serrano submerged a plastic crucifix in a jar of his own urine and photographed it. Serrano described the piece as a commentary on the commercialisation of religion. Not everyone found aesthetic value in Piss Christ.
When New York artist Andres Serrano plunged a plastic crucifix into a glass of his own urine and photographed it in under the title Piss Christ, he said he was making a statement on the misuse of religion. Controversy has followed the work ever since, but reached an unprecedented peak on Palm Sunday when it was attacked with hammers and destroyed after an "anti-blasphemy" campaign by French Catholic fundamentalists in the southern city of Avignon. The violent slashing of the picture, and another Serrano photograph of a meditating nun, has plunged secular France into soul-searching about Christian fundamentalism and Nicolas Sarkozy's use of religious populism in his bid for re-election next year.
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